PROFILE; BRET ERNST

One of the biggest regrets that I have about the Comedy Store documentary is that I didn’t do a piece on Bret Ernst. Bret was a major part of the Comedy Store scene and I missed out on him. I was gone during his era, and he wasn’t around much when I came back, and to tell the truth there were so many comics to cover he just fell through the cracks. I love his work, but what I really want to write about here is his role in comedians putting out there own specials. He was the first. That’s what everyone says. Bert Kreisher has said it Tony Hinchliffe told me this during my interview with him for the doc, and it seems it’s true.

It puts him in a league with Dane Cook for the Myspace break,  and Burr, Rogan, and Maron for their podcast breakthrough, but if you look at the world today, the ground Bret broke may even be more important. The freedom that comes from being able to release your own special, put it out to the world, own it and let it grow is exhilarating. It means no one is in your way but yourself and if you get out of your way and just do good work, you’ll find and grow your audience.’ The important thing about this lane opening up for a comic, is it’s the long road to the center of town, but the most rewarding on every level. Selling your stuff forever to Netlfix or HBO, Showtime, etc, is a faster road home, but in the end you don’t own your work, know your fans, your worth, or how to take yourself to the next level.

A GREAT EXAMPLE OF THE NEW WORLD

Bret’s a great example of the long road home, but the upside of it as well. His first special Principal’s Office, has now been seen by at least 4 million people. His next one, out now, Domesticated Animal, is on it’s way to grow to that number and more. He’s cultivated a hardcore group of fans, which hopefully as the new world really develops now, will support him when he comes out with a special he drops himself behind a paywall like Andrew Schultz has just done, or Bobby Kelly, and Dane Cook. That’s the idea for a comic today. You have to have the chops, a point of view that’s unique, great material, of course, but there was a time when if you had all that and more and the gatekeepers of the moment didn’t let you in, you weren’t getting in. Today if you come fully loaded no one’s going to be able to block you at the gate. You flip them off and you start your own party. That’s what this guy has done, and he’s done it damn well.

Watch Domestic Animal and you see a fully formed comic voice that is doing what he does because he loves it and  he has no choice. He reminds me of my friend, Mike Young, with a ‘you can’t stop me attitude.’ It’s freeing to watch Bret’s attitude like it is to watch early Burr or Dice, or Sebastian. Just a ‘I know I’m right so much, that I know I don’t know shit’ attitude. A true comics POV, ‘The whole world’s messed up but there’s great stuff to complain about. I’m sick of everybody and the top of that list is myself.’

His stuff isn’t jokes. I don’t think he really does any jokes. It’s all stories and attitude. It’s a tour through his mind. I recommend both specials. I just think Domesticated is the better of the two. The more mature. You can really see him coming into his own. It really does take twenty years to be great. There is no shortcut. He’s a good twenty in and is definitely one of the best working today.

https://www.youtube.com/c/BretErnstComedy

BRET’S WEBSITE

https://bretcomedy.com/

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Bobby Kelly / Kill Box

Bobby Kelly’s special Kill Box is up on Louis C.K.’s site 

A great special, and the third in the line up of big time specials that have jumped ship from the streaming networks and gone it alone selling a show straight to consumers. Andrew Schultz and Dane Cook did it on Moment.co (Dane’s is now on sale at his own site  Danecook.com)

LOUIS C.K.’S OWN SITE

Anyone that follows and loves Louis’s stuff knows he’s been selling straight to consumers for years. He’s also made his own movies and a really unique TV series, Horace and Pete, his own series, Louie, and all of his specials. I think Robert Kelly Kill Box is the first special he’s done where he’s directed it and put it up on his site, of another comic. If it is he picked a great comic to start with. Kelly is a pro and a vet and this is a damn funny special. It’s raw and racy and it’s non politically correct which you’d guess coming from him, but it’s done well. Louis directs it in a simple style which I happen to like. You’re not thinking about the director at all. In a stand-up special you shouldn’t be.

A GREAT DEAL FOR TEN BUCKS

This really is. It’s a lot of big laughs. The studios aren’t making comedies, the Sit-coms on T.V. aren’t even close to funny. If you want to laugh hard you need a good special. Well, for my money, very few of the Netflix, Showtime, or HBO specials are that funny anymore. Maybe Chappelle, Burr, Chris Rock. Ricky Gervais. Whitney Cummings. Anthony Jezelnik. Taylor Tomlinson, a few others. That’s not a lot though. Not considering this group puts out a special once every two years or so. Not in the absence of any real funny TV shows or movies. The best place to find big laughs, other than going out and seeing comics live, is going to be direct to consumer gems like this or even free one’s that have been dropped on You Tube. If you love Stand-up, you would do well to fork out the ten bucks and buy this thing. Buy others like it. Stoke the fire. Support this new road that’s doing well, but needs traffic.

MORE IMPORTANTLY.

He’s funny as shit, Bobby Kelly. He reminds me of Earthquake, in the sense that he’s been around forever and he’s gotten a legendary status and this special, like the one Chappelle did for Earthquake, is a bit of a teaser to new fans to see who and what a lot of comedy fans already know about an O.G. in the stand-up world. It’s a bit of a sampler box.

I’ll go so far as to say if you’re a fan of this kind of comedy and you buy this special, and you truly, truly, hate it. You can write to me at this site and I’ll send you your ten bucks back. I’ll berate the living shit out of you for being an asshole, but I’ll send you ten bucks. It’s that good and I know it. (P.S. I don’t even know the guy. This isn’t me shilling for some pal. I’ll tell you when that’s the case. Never even met the fucker.)

Also check out his podcast on his Youtube channel.

ROBERT KELLY PATREON

Check out and sign up for his patreon as well. This is another way you can help support and grow the new world.

 

Either way, support this guy. He’s deserving and he’ll make you laugh hard which is what you need more than anything in life whether you know it or not.

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SAN DIEGO’S AMERICAN COMEDY CO.

I just spent the weekend playing a fantastic club in San Diego’s Gaslamp district, The American Comedy Co. It’s a powder keg of a basement room underneath an old historic building, with low ceilings and brick walls scientifically designed to make the laughs scramble back and forth from every surface like wild baby chicks just let free in the yard. The crowds are amazing, packed in tight, true comedy lovers, it was my second time back, and it didn’t disappoint. It’s becoming one of my favorite clubs to play. It has a bit of a vibe of what I think right now is my favorite room to jump up, the Top Secret in London. (It could be the basement thing.)

All five shows were sold out thanks to the fact that I was opening for Jeremy Piven. Not only were they sold out but most shows had to turn quite a few people away. It was quite a scene and the energy was fantastic.

Jeremy is known as an amazing actor with a shit load of Emmy’s and awards but he’s become a damn good stand-up comic and his fans now know it and damn, they come out. It’s great for me, because he’s one of a group of friends like Jeff Ross, Pauly Shore, Damon Wayans, Shane Gillis, Steve Byrne, Paul Virzi, Mark Normand, and a few others that have let me feature for them and get my stage legs back after a years long sabbatical from the craft which I so appreciate. I don’t think I’d be able to do it any other way. Jeremy has been so great. All of these guys have. It’s been pretty amazing how supportive they’ve all been.

But back to the American Comedy Co. I really do love this club. Anyone that know me knows the affinity that I’ve had my whole life for the Lajolla Comedy Store. I grew up there and have probably played it more than I’ve played any club in my life, so I never really thought I’d feel all that comfortable in any San Diego club, but the funny thing is this is such a different beast. It’s a world apart from the leafy streets of Lajolla and the two clubs themselves couldn’t be more different.

As I said, the American Comedy Co. reminds me of the Top Secret in London, which has a vibe of what I think in my mind the Cavern Club in Liverpool had in it’s day. Comics adore the room. Norm McDonald used to talk about it all the time and I know Joe Rogan loved to play it earlier in his career. So did Chris Delia.Paul Virzi ripped it up last year right after his Netflix special came out. He was amazing down there. One of the best sets I’ve seen a comic do in a long time.

It’s run by a well written Runyonesque character by the name of Justin Hollister. Like the top Secret’s Mark Rothman, and Mitzi Shore, and the Comedy Castle’s Mark Ridley, in the tradition of the really great club owners, Justin loves stand-up. Adores it. Lives and breathes it. He was part of the Improv team and ran the San Jose Improv for a long time, (another amazing room) then left to start his own thing. He begged and borrowed, scared up the money from a gaggle of investors (which he’s since bought off), and that’s how the American Comedy Co. came to be.

The Gaslamp district has three comedy clubs all within a block of each other. The American, The Laugh Factory, and The Madhouse. They all seem to do well. That says something about San Diego I guess. They’re bored as shit? They love to laugh? They have too much money? They need to get out of the house? Out of the sun? Maybe they just don’t like music? Who the hell knows? Between those three clubs and the Lajolla Comedy Store they have a lot of great comedy they support so hats fucking off to San Diego!

And to Justin Hollister and The American Comedy Co. as well. What a great club. If you’re down there and you haven’t been in yet, go down there for sure. Laughter will keep you young and healthy. It’s a medical fact. This place is a fountain of youth.

 

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BABYSITTING PAULY

I started my career at 17 working for Mitzi Shore at The Comedy Store. I was a doorman, yet another of my duties was to babysit for Peter and Pauly Shore who were something like 7 and 9 years old. It was good work if you could get it. There wasn’t a lot of heavy lifting or welding to be done, just hanging out with two little rugrats wedged deep into the Beverly Hills rich kids crowd. At the time I washed up on Mitzi’s nightclubs doorstep, they lived with Mitzi and the comedian Steve Landesberg in Dorothy Lamour’s old mansion just up Doheny drive above Gil Turner’s liquor store.

It was rare air for a boy fresh from the suburbs of Detroit to be breathing. Peter and Pauly’s friends were the kids of some major hollywood staples. Paul Rydell, Tony Bill, Ryan O’neal,  etc. One night we had a seder dinner at her house and Andy Williams, Art Metrano, and Richard Pryor all stopped by. It was that kind of night. We’d all smoke pot together in the kitchen as Mitzi would be preparing dinner.

I was always wondering what the hell I doing there. I was the answer to one of those ‘which things doesn’t belong in this picture?’ puzzles. Argus Hamilton, Ollie Joe Prader, and I would take Pauly out to skateparks in distant lands I’d never heard of called, El Monte, and Covina. We’d squire him to events at Beverly Hills high, the school he would eventually attend, and out to Malibu to drop him at famous kids of famous parents houses on the famous Malibu colony.

My all time best memory of that time in my life, and there were a lot of them, I loved the Shore family then and still do today, points out the moment I knew I wasn’t in Kansas anymore. We were sitting in Mitzi’s kitchen as she was making breakfast and an eight year old Pauly came in irritated and deeply concerned. He rattled off this line of dialogue, word for word without irony, satire, or even a smirk of jest.

‘Mom? What the fuck? You’re letting Peter go to Maui over Christmas with Ryan and Farrah and you won’t let me go to Japan on tour with Connie Stevens?’

(They did in fact both go on each of these trips that Christmas with the sons and daughters of the above icons.)

BABY SITTING PAULY – THE SEQUEL

 

Cut to last week. forty-seven some years later and I’m in Omaha, Nebraska, babysitting Pauly again. Opening up for him as a middle act at the Funny Bone in Omaha and then in the next state over at the Des Moines Funny Bone.

https://www.youtube.com/watch?v=UvvDDiXlJ-Y

I’m doing anything I can to get my stage/sea legs back after a twenty five years absence from stand-up, a truly unforgiving art in terms of making it easy to jump up any old time you want decades later. The comedians you know and love, all have one thing in common. They’re always on stage. Pretty much every night. Even nights off they’ll find a room to jump up in. Yes, it’s addicting, but it’s also what it takes to be great. You have to show up at the party constantly, always working in new stuff, shaping, molding, cutting, changing, kneading.

PAULY NEVER LEFT THE PARTY

After his meteoric rise as an MTV jock and then a run as a bonafide movie star in a series of niche films, the curve of Pauly’s career was flattened by time, a change in culture, and a general planet wide weariness of ‘The Weasel’ shtick. Pauly was hurt by the air coming out of the celebrity bag, but he kept on undaunted. Always. The one thing he never stopped doing was going out on the road. With Sam Kinison, his father, Sammy Shore,  or a long line of young comics he’s nurtured along and helped get their stage legs, taking them on his tours, including, Bobby Lee, Sandy Danto, and many, many others.

I joined that line last week. I had a fantastic time. It was strange as hell being out on the road playing comedy clubs again. I was one of the very first of the comedy club headliners in the eighties. I opened Mark Ridley’s comedy club in Detroit. Was his first headliner as he was the first comedy club that wasn’t a showcase club in the major cities of LA, New York and San Fran. My group of comics, Bruce Baum, Bob Saget, Gary Shandling, Dave Coulier, Rita Rudner, Rich Shydner, and later Jerry Seinfeld, Larry Miller, Mark Schiff, Gary Muledeer, and Dennis Miller, were the first swarm of comedy club comics touring the country. We played in rooms that popped up in just about every state in the nation, seemingly overnight. Clubs that became chains, with names like Giggles, Zanies, Punchline, and Hilarities. Clubs that were one-offs like the Cleveland Comedy Club, or the Pittsburgh comedy club, or Bea’s Comedy Kitchen.

 

The Shores, Pauly and Sammy Shore, Peter Shore with Mitzi and Pauly.

BACK ON THE ROAD

Not that I missed it, or had longed for it in any way, but it was fun being back on that version of the road. The Funny Bones are sturdy, well run clubs. In nice mall courts that feel very America 2022. That was one the biggest revelations to me. Mid-America 2022 is not a lot different than California or New York. At least not on the surface. It’s a hell of a lot whiter. That’s for sure. It made me realize how comfortable I am with the diversity of the rest of the country, and even London. It’s more normal for me to wander streets amid faces of all colors ,and people from all places. Being in a mall in a sea of white faces is just not ordinary to me anymore. It would be like going into a restaurant and being told they serve only one kind of bread. I may never order gluten-free toast, but it makes me feel safe that it’s on the menu. Makes me comfortable.

PAULY’S CROWDS

Pauly sold out every single show. He sells out all of his shows.

They come out, wherever he plays. They want to see him, yes, remember a moment in their lives, but it’s more than that. They come for a few reasons other than the nostalgia. One, he loves them. They feel it. From the minute he hits the stage they know they’re appreciated. Not taken for granted. Two, they don’t get to see a lot of famous people up close. Not like this. Not someone who’s movies they’ve seen many times over. Is it curiosity? Maybe to some. To me it seemed like many of them had come and seen him quite a few times before over the years.

As I said, Pauly never stopped playing the road. Hitting the clubs. In every state. Year after year after year. Thirty some years on, he couldn’t help but become a damn good comic. A great comic. He wasn’t when he started. (Who was?) He was a novelty act. A kid almost playing a comic. It was deep in his blood though. How could it not have been? Time and circumstance forced him to cure, mold and morph into a fantastic club act. One of the best.

Is he the most beautiful sea shell the ocean has smoothed out and spit up onto the comedy beach? Maybe not, but you realize when you see the set he’s a rare find. A polished and precious shiny object. He takes the stage with a motorized confidence and never for one minute in the next hour stops, let’s up, shows mercy, and more important, lies. He’s honest and authentic. He’s Pauly. He’s an open book. Everything he say is true. Self depreciatory, yes, but genuine. His jokes are, at his expense, commenting on culture, a peek into the trappings of fame, and the tools for the task of making you laugh hard and thinking of nothing else for an hour or so.

The set is a barrage. It’s not Seinfeld, but it’s not Rip Taylor either.  It’s somewhere smack in the middle. It’s a silly, genuine, factual ride. A cavalcade of audience participation, confession, mirth, and self flagellation. He loves being bathed in the love and the laughter. It’s obvious. He loves burrowing into the womb a comedy club becomes. His joy is your joy through osmosis. He has fun, you have fun. You go home happy and he goes on to the next town.

I have to say I was impressed with his act. Very impressed. I didn’t expect to be. I was. Happily.

SEE HIM LIVE

Go see him. It’s a treat you owe yourself if you’re a stand-up fan. If only to see what a modern road dog does. The Amazing Jonathan’s and the Bob Foxes of the world are all dead or retired. Pauly is still climbing the stage. He’s not in the Kreisher, Burr, Sebastian concert world, though he once was for a brief moment, but he’s out there. Live. Channeling his dad and host of great legends from the past. It’s a treat. I promise. I was there for my own needs. To get stage time, but I did get to see a great American stand-up show in the middle of white bread America. I enjoyed it.

VISIT PAULYSHORE.COM

https://www.paulyshore.com/

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Profile; Jessica Kirson

Jessica Kirson makes me laugh really hard. Like spit shit out of my mouth laugh. She’s a murderer. She’s quick and raw and real, and funny as hell. Anytime someone’s telling me a theory on why women aren’t funny, I just cut them off and say’ Jessica Kirson. Case closed. Fuck off. Go watch Jessica Kirson then tell me women aren’t funny. (By the way, women are funny. See; Yamaneika Saunders, Whitney Cummings, Rachel Feinstein, Rosebud Baker, and Bonnie McFarland, to name just a few.)

HER REAL NAME

Her real name is Kirson Braff, which I love. It sounds like a surfer from Michigan. Someone completely out of place everywhere they go. Jessica Kirson is poetic. Kirson Braff is a trig quiz. I get the change. Her stepbrother is Zach Braff, of Scrubs fame, which is a good little nugget I didn’t know. She’s from West Orange, New Jersey and she’s gay and married. And like I mentioned earlier she’s one of the funniest people on the planet.

WORKS HER ASS OFF

She does. She has I think three podcasts, has done about eleven thousand specials, has a fantastic Patreon channel, produced a great doc on women comics, and has a show on The Mint that has her working with Yamaneika Saunders and Rachel Feinstein two of my favorite comics.

Jessica does a lot of crowd work and it’s easy to think she only does that because she’s so good at it and that’s what she shows on social media a lot, but she has a lot of really great bits and tells a boatload of stories that are obviously real. Achingly real. There are truly no boundaries for her. She’s wide open all of the time, full speed.

NEW YORK COMIC

By and large she’s a New York comic. Part of the Cellar crowd, but she’s been out in LA a bit. She just sold out the main room of The Comedy Store and had quite a night. She’s really pretty incredible. Out there. My kind of comedy. She’s Sam Kinison meets Phyliss Diller with a dash of Don Rickles and Robin Williams. Quick as hell, truly fluid, dark, witty, and so damn real. Watch her specials, check out her Mint show, most important, go see her live.

HOW TO SUPPORT HER

CLICK BELOW FOR Her TOUR DATES

CLICK PHOTO TO SUPPORT HER PATREON

Her Twitter

Her Instagram

 

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