BERT KREISCHER PUNKS A BOOKSTORE!

Yes, bookstores still exist. I know they do because Bert Kreischer just hilariously punked the hell out of one.

It’s the Instagram of the day here…  and below.

Kreischer let slide he was curious if there was a bookstore that would want him to sign Tom’s book, trying to think if they’d know Tom from Bert. He called one up in the valley and went in as Tom.

Great prank!

https://www.instagram.com/p/CezVWbnAHtc/

Bert’s podcast

https://podcasts.apple.com/us/podcast/bertcast/id585103759

Also go to Bertbert.com to get details on THE FULLY LOADED COMEDY FESTIVAL

On now! Get tickets now, they’re selling out.

https://www.instagram.com/reel/CezVWbnAHtc/?utm_source=ig_web_copy_linkhttps://www.bertbertbert.com/

 

THE BOB SAGET TRIBUTE IS UP ON NETFLIX – The toughest project I’ve ever worked on.

TOM SEGURA RELEASES NEW BOOK

From Tom Segura, the massively successful stand-up comedian and cohost of chart-topping podcasts 2 Bears 1 Cave and Your Mom’s House, hilarious real-life stories of parenting, celebrity encounters, youthful mistakes, misanthropy, and so much more.

Tom Segura is known for his twisted takes and irreverent comedic voice. But after a few years of crazy tours and churning out podcasts weekly, all while parenting two young children, he desperately needs a second to himself. It’s not that he hates his friends and family—he’s not a monster—he’s just beat, which is why his son’s (ruthless) first full sentence, “I’d like to play alone, please”, has since become his mantra.

In this collection of stories, Tom combines his signature curmudgeonly humor with a revealing look at some of the ridiculous situations that shaped him and the ludicrous characters who always seem to seek him out. The stories feature hilarious anecdotes about Tom’s time on the road, including some surreal encounters with celebrities at airports; his unfiltered South American family; the trials and tribulations of parenting young children with bizarrely morbid interests; and, perhaps most memorably, experiences with his dad who, like any good Baby Boomer father, loves to talk about his bowel movements and share graphic Vietnam stories at inappropriate moments. All of this is enough to make anyone want some peace and quiet.

I’d Like to Play Alone, Please will have listeners laughing out loud and nodding in agreement with Segura’s message: In a world where everyone is increasingly insane, sometimes you just need to be alone.

https://www.amazon.com/Id-Like-Play-Alone-Please/dp/B09QXQPS1M/ref=sr_1_1?qid=1654901274&refinements=p_27%3ATom+Segura&s=books&sr=1-1

Click link above to buy the book and Audiobook on Amazon.

Listen to Tom’s podcast he does with his wife  and fellow Stand-up Christine Pazsitsky

Christinaponline

Your Mom’s House Podcast

CHRIS ROCK AND DAVE CHAPELLE AT LONDON 02

Dave Chapelle and Chris Rock will play the 02 arena for two shows in London on Sept 3 and 4

The pair will be at the O2 Arena in September.

A presale took place on Thursday 9 June, starting at 10am via Live Nation.

Tickets will go on general sale on Friday 10 June.

They will be available from 10am and fans can buy them at www.livenation.co.uk and www.ticketmaster.co.uk.

Don’t be foolish. Go to London in September and see this show. Move to London. If you can’t afford it hitchhike or something. Get there!

 

WOODY ALLEN STAND-UP COMIC. Part one. (Thoughts and personal recollections)

Woody Allen was an incredible Stand-up. To some, that’s a no-brainer of a statement. I could have written; ‘Most cars run on gas.’ Yet to a larger group, maybe younger people, or people that only know his movies, or those that have lost their memory, or with learning disabilities, they may have little, or even zero knowledge of Woody Allen’s Stand-up years. There is another group, that knows all this, but I hope will enjoy the re-cap and the clips. For both of those groups, I’ll go into his Stand-up years here, and also explain how much influence Woody Allen had on me growing up, and tell a few stories about my interaction with Woody.

If this sounds like fun and exciting reading, keep going. If not, move on, and in fact, here’s a link to a book my Uncle Melvin’s written about how to shave your own back.

https://www.amazon.com/Move-Over-Boys-This-Plumber/dp/B084DH8B75/ref=nav_ya_signin?crid=2NYW8XK2JE97Y&keywords=be+a+great+plumber&qid=1654641361&s=books&sprefix=%2Cstripbooks%2C122&sr=1-5&

 

Woody Allen affected me profoundly as a kid. My father would tell the story that as a boy I watched The Ed Sullivan Show with him one Sunday night and as Woody Allen came on and did his Stand-up and I turned back to him the second it was over and said. “That’s what I want to do. Right there. Be a comedian.” I was nine or ten or so, had bright red hair, and was a funny, smart ass little Jewish kid. It kind of made sense that he hit my sweet spot.

I somehow got his first album ‘Woody Allen.’ (He was always so great with the tough titles.) His next was ‘The Nightclub Years.’

 

I must have listened to those two albums, no kidding, five thousand times.  His Stand-up was and is a delicacy. Forever unique.  Bold yet well-mannered. Imaginative, intelligent, illuminative, and provocative. Each ‘bit’ or joke was written, performed and enveloped in a surprise or a revelation. His style was never to stop constantly changing elements, always going for a laugh. One-liners, short stories, anecdotal confessions, then back to one-liners.

Here’s a quick example to listen to. A teaser that was put together for my Instagram, promoting this column.

Here’s a great bit from his second album. ‘The Nightclub Years.’

It’s worth pointing out that although a reluctant Stand-up to start, Woody had to be coerced by his manager, Jack Rollins, he very quickly became something of a mass-market cultural comedy icon long before he was really known as a filmmaker.

 

 

.

 

                                                                                                                                    Woody’s long-time manager, Jack Rollins.

SIDEBAR; Jack Rollins was a bigger-than-life figure, the Col. Tom Parker of comedy. In 1951 he started his own talent agency in New York City. He handled Harry Belafonte, who his first big success. After becoming partners with Charlie Joffe,  they took on several comedians. Woody, Dick Cavett, Nichols and May, and my other favorite comic, Robert Klein.

SIDEBAR TO THE SIDEBAR;

When I first got into the business, the LA office of ‘Rollins and Joffee’, had become ‘Rollins, Joffee, Morra, and Brezner and Steinberg’. They were the premier boutique management firm. They worked with the best of the best. Not only Woody, but Billy Crystal, David Letterman, and Robin Williams. The first film I wrote that was produced, was called ‘Coupe De Ville’ and Larry Brezner, one of the partners of the firm, who would go on to become my mentor, confidant, and one of my best friends and biggest influences,  produced the movie, guiding me through the process.

The late-great, Larry Brezner, myself, and his long-time business partner, another legendary manager, David Steinberg.

The movie came and went by and large, but it got my career going in my mid-twenties, and it wasn’t lost on me that I was making movies with my idol Woody’s, ‘people.’

*Larry Brezner, David Steinberg Jack Rollins, Rollins and Joffee, and the making of ‘Coupedeville’ are all going to be the subjects of future substacks, so, enough with thisSidebar.’

Going back to my childhood, I became obsessed with Woody. With Allan Stewart Konigsberg, which I found out early was his real name. I was so precociously preoccupied with Woody Allen that one time when I was maybe ten or eleven I phoned directory assistance. (*Some here won’t know what that was, but it was basically Siri, without the attitude.)

I was in Detroit, and I called Manhattan directory assistance and asked for the residential number of Allan Konisberg. This was maybe 1968 or so. They gave me the number, I called, and a man answered. (Sounded to me like a man in his early thirties. A red-headed man.)

ME; ‘Are you Allan Konisberg?’

HIM; Yes. This is Allan Konisberg.’

ME; ‘Are you Woody Allen?’

There was an exasperated bit of a beat here, Jewish in tone.

HIM; Who’s calling?

ME; Quickly hangs up the phone. Scared.

That may or may not have been my first interaction with Woody. May have been another Allan Konisberg. I just know it sure sounded like Woody Allen to me.

Woody Allen

Everything about Woody was something I wanted to emulate, and all of the things we had in common, I would use to promulgate my self-image as someone that could live in that rarified world he was in. If I never had seen Woody Allen I wouldn’t have known true north as crisply as I did at a young age. It’s one of the things I’m most grateful of, the blessing to have known what I want to do right out of the gate without question or hesitation. It hasn’t always been an easy road for me, this business, but I’ll take the ups and downs, the bruises and the heartbreaks over a lackadaisical wandering through life, never really having a spot on the horizon to be striving for.

BTW, here’s just a grab from me doing Stand-up something like nine or ten years later on the Mike Douglas show. All I remember back then is how much I was ‘doing’ Woody Allen.

 

VISIT STANDUPWORLD.COM

Woody didn’t really know he wanted to be a comic until he was a comic. He learned early on he could write jokes. Gags. Great jokes. He was making a living in his late teens and early twenties writing one-liners for the gossip columnists in newspapers of the day. He then went on to score big writing for television on classic comedies like; Sid Ceasers Show of Shows.’

Mel Brooks, Woody Allen, Mel Tolkin, Sid Caesar.

Jack Rollins truly had to force Woody to get up on stage and tell his own jokes. He quickly too to it though. He was eventually successful largely on the strength of his great writing, but even more on the character he had developed, partially based loosely on himself and even more as a way to cover his shyness and uncomfortableness on the stage.

Here’s a short clip I like from a Brian Linehan interview in a documentary off of his website, ‘Reeling in the Years.

He eventually built a following in New York, playing clubs like The Duplex and The Bitter End, following in the shadows of Mort Sahl, Bill Cosby, and Mike Nichols and Elaine May. All just a few years ahead of him in the Stand-up scene.

Here’s a great clip from a talk show called The Gary Moore show. It’s all good, but at 6:57 seconds he goes into the classic ‘I shot a Moose once..’ routine. It’s one of his best and if you don’t know it, you should watch it. It’s his generation’s ‘Who’s on First’. That’s truly how beloved this routine is.

End of Part one; (thanks for reading. Part two coming next week.)

THE MO’NIQUE / D.L. HU’GLEY WAR of 2022

It’s been brutal. The casualties are aplenty. The Biden administration wants to send more relief. Not talking about Ukraine here. I’m talking about Mo’nique crossing the border with her tanks blazing at D.L. Hugley. It’s gotten scary. It’s basically about who headlined a show in Detroit. ‘He who cocks his Hats’, or ‘The mountain called ‘Mo’.

Actually, it’s beyond scary. It’s bloody. Apparently, Mo’nique wasn’t happy about her billing, pay, or placement on the show, so naturally, she decided to deal with it all, during the show. Venting to the audience, in lew of putting on an act.

“Y’all don’t understand the fight (I) had to go through to stand in front of y’all tonight. The motherf****** contract said that a b**** is the headliner. Mo’Nique is to be the last motherf****** person on the g****** stage. She is the headliner. I’m 30+ years in this motherf****** business and I don’t open for no g****** body. The contract said the headliner. But a n**** named DL Hughley turned into a b**** and said ‘I won’t perform if she does that.’ So when I leave this motherf***** the headliner has left.”

Damn. That’s a screed you want to have in the dressing room to your manager, agent, or your mother. Not on stage to the crowd who paid a lot of dough to see a show.

Hu’ghley responded by pointing out the simple answer stated above. The proof of who the real headliner was could be seen by the order of the lineup on the ticket. On his Twitter page he also pointed out some of the ground skirmishes Mo’Nique has had with other celebrities.

“All you have to do is check the order of names on the ticket stub from last night and you’ll see who’s confused. Against my better judgment, over the objections of my team and 4 other occasions where I said NO, I decided to take a chance and work with Mo’nique,” he let fly on Instagram. “Oprah was the problem, Tyler Perry was the problem, Charlamagne was the problem, Steve Harvey was the problem, Lee Daniels was the problem, Netflix was the problem… Now it’s MY turn. At some point it can’t be everyone else, IT’S YOU!! Lesson learned.”

Of course, Mo, answered back and it didn’t sit well with The Hu’ghley’s. D.L. Hu’ghley’s daughter Ryan Nicole Sh’epard is now stepping in between her father and Mo’Nique amid their heated online spat. On Instagram, Sh’epard aired out her grievances with the “Precious” star for insulting her mother and her younger sister during the feud. She wasn’t taking it ‘Ryan’ down. (Sorry.)

“Out of all things you could have legitimately said about my dad if that’s the route you wanted to take, you chose to be deliberately mean and hurtful to two Black women who have nothing to do with this conversation,” she wrote, noting how the controversial comedian used her family as a punchline to show how “little mental stability, dignity, morality and respect” she had for herself and other Black women.

The whole thing started as I said, over a spat about who was headlining the show. Hey, you don’t have to be Columbo to know how to sniff that one out.  Wait quietly until they bring up the last act, that’s your headliner. Case closed.

Mo’-Mo’ accused Hu’ghley of not having a contract that says he was the headliner. She then challenged him to upload a copy of his contract. The digital version of ‘if you think you’re dicks so big, pull it out.’

“The fact that you point the people to the ticket stubs for the order of the names versus to your contract implies that you don’t have a contract that shows you are the headliner, like i do,” Mo’Nique responded. “Either show your contract or be quiet.”

Then, as stated above, D.L.’s daughter got into it and it’s just all ugly and bitter.  Like most of today’s entertainment. (Wow. How old does that make me sound? ‘You damn comics! Get off of my lawn!)

The truth though is Showbiz fueds have been going on forever, and for the most part, they just get the combatants a lot of followers or fans or, what not. That’s why comedy war is at the end of the day, a hell of a lot safer than real war. Just two rich people carpet-bombing each other. At the end, everyone goes home to sleep in their own bed.

Let’s be honest, we aren’t talking about the two funniest people in comedy either. They’re both talented, no doubt, but this isn’t Stand-ups two brightest bulbs. There’s lot of bells and whistles in both of their shows. A ton of hats, and lot’s of horns. (Shrug)

This is good business for both of them. That’s my point. God love them!

You had me at ‘Shakes’

A nice article on Bobcat, the filmmaker.

 

https://www.msn.com/en-us/entertainment/news/bobcat-goldthwait-every-film-directed-by-the-comedian/ar-AAY6R2c?ocid=BingNewsSearch