THE MO’NIQUE / D.L. HU’GLEY WAR of 2022

It’s been brutal. The casualties are aplenty. The Biden administration wants to send more relief. Not talking about Ukraine here. I’m talking about Mo’nique crossing the border with her tanks blazing at D.L. Hugley. It’s gotten scary. It’s basically about who headlined a show in Detroit. ‘He who cocks his Hats’, or ‘The mountain called ‘Mo’.

Actually, it’s beyond scary. It’s bloody. Apparently, Mo’nique wasn’t happy about her billing, pay, or placement on the show, so naturally, she decided to deal with it all, during the show. Venting to the audience, in lew of putting on an act.

“Y’all don’t understand the fight (I) had to go through to stand in front of y’all tonight. The motherf****** contract said that a b**** is the headliner. Mo’Nique is to be the last motherf****** person on the g****** stage. She is the headliner. I’m 30+ years in this motherf****** business and I don’t open for no g****** body. The contract said the headliner. But a n**** named DL Hughley turned into a b**** and said ‘I won’t perform if she does that.’ So when I leave this motherf***** the headliner has left.”

Damn. That’s a screed you want to have in the dressing room to your manager, agent, or your mother. Not on stage to the crowd who paid a lot of dough to see a show.

Hu’ghley responded by pointing out the simple answer stated above. The proof of who the real headliner was could be seen by the order of the lineup on the ticket. On his Twitter page he also pointed out some of the ground skirmishes Mo’Nique has had with other celebrities.

“All you have to do is check the order of names on the ticket stub from last night and you’ll see who’s confused. Against my better judgment, over the objections of my team and 4 other occasions where I said NO, I decided to take a chance and work with Mo’nique,” he let fly on Instagram. “Oprah was the problem, Tyler Perry was the problem, Charlamagne was the problem, Steve Harvey was the problem, Lee Daniels was the problem, Netflix was the problem… Now it’s MY turn. At some point it can’t be everyone else, IT’S YOU!! Lesson learned.”

Of course, Mo, answered back and it didn’t sit well with The Hu’ghley’s. D.L. Hu’ghley’s daughter Ryan Nicole Sh’epard is now stepping in between her father and Mo’Nique amid their heated online spat. On Instagram, Sh’epard aired out her grievances with the “Precious” star for insulting her mother and her younger sister during the feud. She wasn’t taking it ‘Ryan’ down. (Sorry.)

“Out of all things you could have legitimately said about my dad if that’s the route you wanted to take, you chose to be deliberately mean and hurtful to two Black women who have nothing to do with this conversation,” she wrote, noting how the controversial comedian used her family as a punchline to show how “little mental stability, dignity, morality and respect” she had for herself and other Black women.

The whole thing started as I said, over a spat about who was headlining the show. Hey, you don’t have to be Columbo to know how to sniff that one out.  Wait quietly until they bring up the last act, that’s your headliner. Case closed.

Mo’-Mo’ accused Hu’ghley of not having a contract that says he was the headliner. She then challenged him to upload a copy of his contract. The digital version of ‘if you think you’re dicks so big, pull it out.’

“The fact that you point the people to the ticket stubs for the order of the names versus to your contract implies that you don’t have a contract that shows you are the headliner, like i do,” Mo’Nique responded. “Either show your contract or be quiet.”

Then, as stated above, D.L.’s daughter got into it and it’s just all ugly and bitter.  Like most of today’s entertainment. (Wow. How old does that make me sound? ‘You damn comics! Get off of my lawn!)

The truth though is Showbiz fueds have been going on forever, and for the most part, they just get the combatants a lot of followers or fans or, what not. That’s why comedy war is at the end of the day, a hell of a lot safer than real war. Just two rich people carpet-bombing each other. At the end, everyone goes home to sleep in their own bed.

Let’s be honest, we aren’t talking about the two funniest people in comedy either. They’re both talented, no doubt, but this isn’t Stand-ups two brightest bulbs. There’s lot of bells and whistles in both of their shows. A ton of hats, and lot’s of horns. (Shrug)

This is good business for both of them. That’s my point. God love them!

You had me at ‘Shakes’

A nice article on Bobcat, the filmmaker.

 

https://www.msn.com/en-us/entertainment/news/bobcat-goldthwait-every-film-directed-by-the-comedian/ar-AAY6R2c?ocid=BingNewsSearch

A FILM BY LOUIS C.K.!!! (Yes!!)

How fucking perfect does this look? Louis C.K. and Joe List! Can’t wait!

Louis C.K. has made a new movie. “Fourth of July,”

If you’re a fan, like I am, it’s been too long. This is his first feature in a few years.  Louis co-wrote the movie with Joe List who is easily one of the best new comedians around. Joe is also someone who truly understands the ‘new world’. In terms of comedy and self-distribution.  (In case you thought I was implying Joe was a Magellan expert or something. )

Check out his Youtube specials. Especially his newest one, ‘This Year’s Material’. Which I loved. It’s already coming up to a million views on Youtube, and it just dropped at the end of April. This is such a funny special!

Perfect team-up. Joe and Louis C.K. , I got to say.

 

The movie centers on a recovering alcoholic from Manhatten who goes up against his family on their annual July 4th vacation trip. Joe plays the lead in the film with Sarah Tollemache, Paula Plum, Robert Walsh, Robert Kelly, and Louis all in the ensemble as well.

‘Fourth of July’ will be in theatres from July 1. Louis is taking the movie on tour with the film for one-night showings all over.  New York City, June 30, Boston July 1 and Chicago, July 2 .

Tickets for the special screenings are available now on C.K.’s website. Both Joe and Louis will be there at these screenings and have a post-screening Q&A.

https://louisck.com/

Here’s a little Instagram film made for this… (You owe me!)

 

WOODY ALLEN ON CANDID CAMERA – 1962

This speaks for itself. Enjoy. Next week we’re going to do a post on Woody’s standup years. Thought this may prime the pump a little.

THANKS TO JULIET FUNT!

THE MOST INFLUENTIAL STAND-UPS ON OUR CULTURE – JOE ROGAN / PART TWO

THE MOST INFLUENTIAL STAND-UP ON OUR CULTURE – JOE ROGAN / PART TWO

The follow up to the stack I did a week or so ago… Before I got Covid.

 
 
 

I got sick with Covid from having too much fun at the Netflix is a Joke festival. I was down for a short spell. In the spirit of this column on Joe, I will say I immediately took Ivermectin. Yes, I did, and unlike all the Joe mem’s and talking -points-fed harassment, I truly took horse-paste. I happen to have three Shetland ponies in the yard that are leftover from my act when I had tried props for a spell. (Another story) Anyway, I stole their horse paste, emptied the tube in one slurp, and now I’m fine. So piss off.

I’m kidding. Obviously. I did take Invermetin though. Right away. And it worked along with a few other things, but, back to Joe… and the influence of Stand-up.

Rogan, first off I have to say is the most influential comedian in terms of shaping the tone, style, and scope of the state of Stand-up since Johnny Carson in the eighties was almost forty years ago. His hand-picked star-making distribution of time slots on his podcast The Joe Rogan Experience is as loaded with career-defining explosive power as Carson’s Tonight Show ever was, if not more. Where a great one or two shots on ‘Johnny’ could land you your own situation comedy, or huge nightclub contracts, a breakout run with Joe Rogan can give birth and boost today to your own podcast and a giant starter kit audience that a smart, edgy comic can turn into their own seven-figure podcast to host and grow, but also to build or boost a touring audience around the world.

Case in point; Tom Segura. Bert Kreisher. Tony Hinchliffe. Tim Dillon, Duncan Trussle, Joey Diaz, and Ari Shaffir.

A big difference between Carson and Rogan is he likes his best friends to succeed.

He doesn’t see the Joey Bishops, Dick Cavett’s, and the Joan Rivers of his life as his competitors. It’s obvious he sees the success around him as an ever-expanding ocean and acts like these and Whitney Cummings and Bill Burr as making waves he can surf, or, Eleanor Kagen, Mark Normand, or Shane Gillis coming on strong as friendly fish to swim and play with.

In fact he seems to enjoy the acts that are almost shaped in his image. Off-shoots of his curious, cranky, rambling, rambunctious, rule-breaking style.

VISIT OUR SUBSTACK; STANDUPWORLD.SUBSTACK.COM

Rogan’s real strength though is his impartiality. His comedy isn’t left or right.

His sense of humor is too accepting to be idealogical. In fact true political idealogues aren’t funny these days. They’re too sure they’re right about everything. What they think is humor is a lecture. It may have always been that way. It may have been one of the reasons Mort Sahl was always a tad boring. He was always too sure about every point he was trying to make with his jokes. Rogan isn’t trying to convince anyone with his comedy, or with his choice of guests. He’s trying to entertain. To be entertaining. He’s trying to satiate his curiosity.

That’s why he has on both Bernie Sanders and Alex Jones.

The biggest effect I will say though is helping free up comics to say what they want and have some fun saying it. Making people laugh at the tough spots that the media light can’t seem to get to is a big deal and has become a tool that the comics I respect are using more and more. I’ve said it before but I’ll say it again, why take the trouble and the attendant bullshit that comes with ‘mansplaining’ if you’re explaining to a room full of men.

The biggest thing this culture needs to remember is the ability to listen to the other side’s story. Really listen. Dig through it the gnarl and the grrrr, and hear what they’re saying. Rogan, Tim Dillon, Shane Gillis, Donelle Rawlings, Joey Diaz, Chris D’elia, Brian Callen, Earthquake, Ari Shaffir, Tom Segura, Andrew Schultz, Eleanor Kagan, Taylor Tomlinson, Whitney Cummings, Chris Rock, Bill Burr, Gervais, and Chappelle, to name a small group of many, are pushing the boundaries in a time when the powers that be don’t want them pushed.

A lot of that you need to tip the hat to Joe Rogan for.

VISIT OUR SUBSTACK; STANDUPWORLD.SUBSTACK.COM

Supremely unfunny Stand-up monologue gets heat off Ricky Gervais new special. READ THE NEW SUBSTACK!!

 

For those who haven’t heard a British Stand-up comic James Acaster has gotten hot off of the tailwind on Ricky Gervais’s new special SuperNature.

This is truly sad, as I’m not saying he’s not a good comic, because he does have great stage presence I guess for some folks, but the worst part about his brush-with-fame here is there isn’t a good joke in the whole thing until the very end. When he finally uses Gervais’s name. It’s a pretty good joke. But it’s a joke, and it makes you realize how bad everything else before it is..

READ THE REST OF MY RESPONSE ON MY SUBSTACK;

https://standupworld.substack.com/p/supremely-unfunny-stand-up-monologue?s=w

Carrot-Top /Successful, yet no one admits like him???

Cracked.com does a nice write-u on Carrott Top.

Calls him the red-headed stepchild of Stand-up. He’s also had a damn long-running career? He’s done something right. Read the article.

https://www.youtube.com/watch?v=c4dcjfaO0qk