WHO IS THE STAND-UP COMIC MAKING THE BIGGEST IMPACT ON CULTURE TODAY?

A few weeks back I wrote a list of, in my opinion, the top ten comics who are making an impact on culture. On my list was Ricky Gervais, Dave Chapelle, Bill Burr, Chris Rock, Whitney Cummings, Bill Maher, Kevin Hart, Taylor Tomlinson, and Louis C.K.

The last spot I left open because as I said, it was someone who is maybe the single most influential on culture and politics today. For this reason alone, I surmised they deserved a separate column, and I was wrong. It’s going to take two.

JOE ROGAN- PART ONE

Joe Rogan is hands down the most important Stand-up today in terms of his work affecting how this country and his listeners feel about their lives and our world.

 

There are a few reasons for this, but the first is that no one trusts anyone anymore—especially not politicians and journalists. There’s no doubt that most politicians have lost the pitch these days and the media won’t expose this fact. Just the opposite, they’re every bit as inept. When it comes to today’s ‘journalists,’ to quote the great Prof. Irwin Corey. ‘Deep, deep, deep, down, they’re incredibly shallow.’

Celebrities, too for the most part have driven their credibility off of the side of the road. When the triple hyphenates you crave went from Actor-writer-producer to Actor-writer-activist, show business had officially closed down and re-opened as another run-of-the-mill clown shop. Sports stars don’t fare much better. Selling their souls and their soles to China and the corporations that China bought to get to them. Flying private planes around the planet telling us what not to drive, say, read, look at, or think about, while they paint giant BLM banners on the floors of their games as if it was garlic on their door late at night to ward off the werewolves.

Does anyone feel a damn thing real coming from modern art right now? There’s a Jeff Koons factory in every city. Same millionaire/billionaire mansion filling bait and tackle shop in every major town, different phony mass-produced ‘artist’. No one has a shred of organic rhyme or rhythm to their work anymore. Everyone on every pedestal is only giving off loud shrill feedback and we’re all covering our ears. We truly have come to a point where the most reliabe flow of authentic voices we hear are from Stand-up comics.

Joe Rogan is infuriating to so many people because of his authenticity. Yes, there could be a dozen things not to like about Joe Rogan at any given time. None of them, though, overshadow the one thing that you can’t help but admire; He’s desperately trying to ferret out the truth.

Try and think back to when you were a kid in the family kitchen, or yard with your siblings and your parents, to a time when you were putting your whole body into shutting someone up, from stopping them from spitting something out that you didn’t want the room to know? Think about how hard you tried to shut that sister, brother, neighbor, or cousin up? How important it was to you? Now try and remember if they were about to blurt out the truth, or just some careless made-up story?

I’ll bet good money (Not U.S. Dollars) it was the truth. Even back then, you knew a lie wasn’t worth a lot of effort because it would eventually be shown to be nothing but fluff. You wouldn’t have wasted the huffing and the puffing. It was the truth that scared the bejesus out of you.

Now try to think how hard the mainstream media and the far left are trying to shut people like Joe Rogan up? Do you think it’s because they’re worried he’s going to be telling you fairy tales you’ll just swallow then hop somewhere into a river of sharks? Dive off of a cliff into a canyon because of something you heard on JRE? Hell no. They’re petrified Joe and all of his Stand-up potty-mouthed podcast pals are going to feed you the straight-up truth on about a half dozen issues that the big league reporters have looked the other way or bought another line.

The Joe Rogan Experience is basically always about a comedian looking for an answer to something. Often with a gaggle of funny friends, a lot of weed, cigars, liquor and jokes. How could the zeitgeist of the moment not want to kill it? It’s way too much fun, way too retro, and definitely too much testosterone.

The question though isn’t why doesn’t anyone want the same answers?

The question is how did we get to the point that everyone is so damn afraid? This is America?

It took a Stand-up comic to get Covid and take Ivermectin and live through all the ridicule of the pharmaceutical companies’ press corps, and the Biden administration. Put up with them publicly rapping his knuckles with PR fed Horse Paste jokes and moron memes to finally shed some light on it all.

(*Which of the above looks closer to death? The emaciated older rich lady in the wig on the left, or the guy on the right that just built the log cabin in the yard for the kids, then skinned a couple of cows?)

The point is it took Rogan, along with some serious Dr.’s like Robert Morton and Naomi Wolf, and the author Bobby Kennedy, Jr. to force our establishment to get serious about treatments that work alongside of the important vaccines.

Don’t kid yourself. A comedian did that. Saved a lot of lives. While the rest of the media and the ideology drunkards like Howard Stern who are still to this day making Trump-told everyone-to-swallow -bleach jokes, not as jokes, Joe Rogan and his gang of misfit podcasters were begging us to think for ourselves. They opened our ears even though Youtube or someone else yanked them down every time the discussions pried them open.

Thanks to Rogan, then Bobby Kennedy, Jr, and Dr. Wolf, people now think about protocols and treatments the minute they get Covid. We don’t only think of ‘rubbers’ and ‘the pill’ when the term prophylactic comes to mind.

We can get Ivermectin and Hydrochlorquin from pharmacies now, and, yes, in early stages they do work great, and yes again, I did learn this thanks to Joe Rogan, who, no, is not a doctor, thank you very little, neither are half the people you’re tripping over to put your life’s hands into. (?) Back to Joe; Think what you want about him, and full disclosure, I’ve had some personal skirmishes with him myself, but I happen to respect the hell out of the guy’s work. As far as you, in your heart, you damn well knew he was too smart to take ‘horse paste’. You grabbed the talking points and went along with it, even though you knew he was too well-read, too rich, and too connected. Had access to the good doctors.

You and I just let them bully us. He didn’t. That’s why he fills arenas and has millions of downloads and we don’t. When he was doing interviews that weren’t Stand-up, you knew he was scraping for answers. For a kernel. ‘Why does this thing fly.?’ Digging. Pestering. ‘How many of us would be left if one of these exploded?’ Everyone else was too scared to do those type of shows. ‘Hey, listen to this, Dr. Morton here, he says the government is full of it. Let’s hear him out. Worse comes to worse, if he’s a deadbeat, Ari Shaffir and I’ll roast the hell out of him.’

Why else would people like Neil Young, Joni Mitchell, and The Rock get browbeat into jumping up and down shutting some podcast-comic up from yelling in the kitchen? He was telling the truth! We’ve been getting lied to a lot these last few years, and the old rock stars and has-been radio hacks that have sold their catalogs and consciences are pissed off that no one finds them colorable anymore, so they’re easily lit up by the younger media -twitter-wads that tell them to jump, and they, of course, ask, ‘How high?’

If you ever want to know the right side of any issue to be on going forward? Find out where, Cher, Bette Midler, Barbara Streisand, Howard Stern, and Neil Young are on it, then pick the other side. Find out where Joe Rogan, Tim Dillon, Whitney Cummings, Bill Burr, Adam Corolla, Dave Chapelle, Chris Rock, Earthquake, Yannis Pappis, and about ten other comics are cracking wise on the subject, and deep in that pile of comedy dung is your next little diamond of fact.

Stand-ups, who have to do that, Stand-up, face an audience, and be real, are the true north of entertainment and free speech in this era. I’m sorry. Bob Dylan isn’t going to get you anywhere near honesty today. The only thing blowing in the wind is his buddy Neil’s hot air.

No. It’s the comics. Rogan and his horde. Chappelle and his. Chris Rock. Bill Burr and his gaggle of working men Stand-ups. The new class coming up. Shane Gillis. Dan Soder. Big Jay Oakerson. Women too. Michelle Wolf, Jessica Kirson, Yamenkia Saunders, Eleanor Kerrigan. Each doing material that they’re ‘really not supposed to be doing.’ All products of a new world that Rogan, Burr, Maron, and Brian Redban kick-started back in the 2009 era.

When my friend Bobby Kennedy, Jr. wrote a brilliant book loaded down with the truth about the whole Covid story, called The Real Anthony Fauci, I tweeted, emailed and called out to ask everyone I knew to have him on their platforms. No one answered. Only Whitney Cummings and Bert Kreisher. Two comics. *Rogan was taking a pummeling at that moment over his Dr. Morton interview. The journalists were all calling up his old laundry mats in Boston from thirty years ago to see if by chance he left any old underwear lying around. Anything other than actually reading the book and looking into some of the claims as a real reporter might do.

So Stand-ups and a few others are what we have right now in terms of any blunt instruments of veracity. Do you know why? They don’t have an agenda other than being funny. The funniest stuff just happens to be the most real, that or the stuff you’re not supposed to say yet we all think. Some comics still get away with hiding behind the same old jokes, same old persona. Night after night, silly one-liners and puns. Or even comic spins on race relations and how horrible America, is with clever punchlines. The audience is going to be done with that though. Real soon. They want something that smells like it’s giving something up, tilling new soil. Comics can’t afford to put on much of a mask nowadays, (especially when we know the only thing it’s truly good for is so we don’t have to worry about bad breath.)

When everyone else in power has lost their trust, maybe even purposely made them all good and stupid, the audience will give you the gold ring if they know you’re going to push for them to get smarter while they’re laughing. The good ones like Rogan, Burr, Chappelle, Rock, Gervais, Cummings, etc.. know the only thing that works consistently is finding the humor in our absurd world, and in these times, if you’re a really honest Stand-up, trying not to get taken out for doing so.

COMING NEXT; JOE ROGAN – PART TWO

The new world of Stand-up he’s unleashed.

PROFILE; MAX AMINI

One of the best comics working today anywhere is Max Amini. He’s a killer and I’ve been getting to know him working the clubs in Los Angeles again. It’s really been one of the best things about getting back up and working out is meeting and getting to know so many comics. Max is amazing. He’s a good friend of Jamie Masada’s the owner of the Laugh Factory and he’s a fantastic stand-up and first class guy. He loves it. His lineage is Iranian. He was born in Tucson to parents that immigrated from Iran after the Iranian revolution in ’79.

A COMIC ENTREPRENEUR

I guess you can say that’s his window into the business, being Iranian, and a lot of his point of view, but putting that aside he’s just a great comic and actor and a very sharp entrepreneur who has built quite a strong business for himself. A production company and a touring entity. He produces specials and films and headlines concerts here and all over the world. He’s a major draw playing largely to Iranian ex-pats and Iranian Americans that love his candid take on their culture and the stick in the eye fun he pokes at them and himself.

WORLDWIDE CONCERT HEADLINER

I have several Iranian friends who I know well for many years and when I brought Max up to them they were seriously impressed with me for the first time ever. They had all seen him in concert here and in Europe in large theatres and were finally glad they were friends with me.

A LOVE FOR HIS PEOPLE

One of the things I truly respect about this guy, something I wish I felt more in our country, is a love for his people. He loves the Iranian people in a very profound way. He has a great Youtube channel and a podcast and does pieces where he gets into what’s special about his country. He focuses on the good things Iran has done. Not so much on the bad things. You see very few comedians here spending any time sticking up for this country. Almost none. In fact, he’s not doing concerts right now because of the problems in Iran. He doesn’t really want to be out there making jokes on a big stage this moment which I respect.  I think I’d be out there looking for the laughs, trying to make my people laugh in a time they needed it, but that’s easy to say I guess. He doesn’t want to belittle anything that’s happening in Iran right now. He’s very sincere about this. It’s really interesting to discuss this with him. Go to his Youtube channel and listen to some of his interviews. If you don’t speak Farsi, call me. I’ll translate. (I’ll use Google.)

CROWD WORK

One thing I love to watch Max do is crowd work. He’s up there with Jimmy Brogan,  Rick Ingraham, and early David Letterman in this category. No shit. He’s really that good. He’s so likeable and charming, and he gets away with so much. He can do complete shows of crowd work and its hysterical much like Ingraham. Check out this fun clip which I believe is in London.

In fact, because he’s not really touring right now he’s playing the laugh factory on Sunset in Hollywood a lot these days and you can see him there and that’s what he does a lot. Crowd work. and he’s hysterical.
Check the Laugh Factory’s website to when Max is on, and go check him out. Also visit his Youtube, and his own Website, MaxAmini.com

LET’S NEVER FORGET; GEORGE MILLER

Anyone watching Carson, Letterman, Merv Griffin or any of the talk shows in the late 70’s or 80’s or even into the 90’s saw George’s stuff. You couldn’t help but love him. He was fast, clever, and funny. He was in fact one of Norm McDonald’s inspirations. He was one of Dave Letterman’s best buddies. He and Tom Dreesen, Johnny Witherspoon, and Jeff Altman were all sort of Dave’s circle I guess, and Dave really took to George. They lived together in little tiny cubicles side by side in a building on Sunset blvd across the street from the Comedy Store in the late seventies.

FROM SEATTLE

George came down from Seattle and his mother, Helen, ended up being the bookkeeper at the ‘Store’. The first real money I ever made in showbiz was from George. I sold him a j0ke he used on The Tonight Show when I first got to LA and he gave me fifty bucks. It was a crap joke. ‘I went to a real drug oriented high school. ‘High High.’  It was crap but George knew how to sell it, and he got laughs with it on Carson and my parents saw it and it was the first time they thought maybe I had some kind of shot at this thing. They had no idea how high I used to get with George before I got sober, but that’s another story.

He really loved being a stand-up though. He was one of the early guys that only wanted to be a stand-up. Nothing else. Didn’t want to act. Didn’t want to direct, do a talk show, produce, have a sit-com. Just wanted to write jokes, tell jokes, be on talk shows as a guest, get high, have fun, then write and tell more jokes.

FIRST TONIGHT SHOW

 

THE GEORGE MILLER COLLECTION ON LETTERMAN

George did more Letterman shows than anyone. (Maybe Dressen or Altman  or Johnny Dark did more?)  Anyway, a fan of his did a series of George Miller collection on Youtube. Here’s the first 2 of 6.  Dig into these if you want to see George’s stuff.

I’M DYING UP HERE

Dave took good care of George when he passed. Paid his medical bills, but was a good pal too. There was a wonderful memorial at the Laugh Factory. It was special. We were all there. In fact it’s the opening scene of William Kneodelseder’s book ‘I’m dying up here.’ George was a hell of a guy. He was always really good to me, I miss him a lot.

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JOAN RIVERS IN LONDON

Joan Rivers shot a special in London in 1992 that showcases some of her best work ever. A hidden gem sitting up on Youtube that really put to rest the any doubt anyone would ever had as to why she was one of the greatest stand-ups of all times. This is so good. She is so funny here, so on her game. Have some fun and watch this one.

 

 

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ROSEBUD BAKER; PROFILE

This is another profile that’s a chapter stolen from my book STANDUPWORLD- ESSAYS ON THE WORLD’S GREATEST ART FORM which you get free when you sign up here for my newsletter.

ROSEBUD – CHAPTER 14

I’m glad I’m a happily married man and like seven hundred years older than Rosebud Baker, because if not I’d probably make such a fool of myself over her if we ever met. She’s so much like the type of woman I used to jump onto the tracks for. Again, that’s if I ever met her because I’ve haven’t and I have no idea what she’s like in person. She just makes me laugh really hard, writes great, dark, jokes, I love the way she thinks, and yes, I’m sorry, this makes me terrible, I know, but she’s beautiful. You’re not supposed to say that anymore. You’re not supposed to see women’s beauty. Especially not women comics. It’s sexist, and even racist, and somehow or another, homophobic.

I DON’T SEE COLOR

Remember; ‘I don’t see color’? It also now; ‘I don’t see ‘hot.’

GUY IN THE LOBBY ASKING A GUY WHAT HE THOUGHT OF THE COMIC’S SHOW;

‘Comedian was great, right?’

‘..Great, yeah, just great..’

‘Kind of hot too, right?’

‘ What? No. I didn’t even know she was female. I swear. I watched the whole show focused on the work. I purposely didn’t assign they/them a gender. It didn’t feel right.’

Well, I’m sorry. When a comic is great looking on this level and truly funny, I’m bringing it up in the opening paragraph. I know, I’m damaged. Someone needs to take me out back and shoot me. She’s also got a mid-seventies TV star vibe like she could have been the last woman that went head to head with Elizabeth Montgomery in auditions only to lose out the role of Samantha in Bewitched. She could have gotten the role of Bill Bixby’s wife in any show he was ever in.

PERSON MORE ADJUSTED THAN I AM READING THIS;

‘I don’t see hypothetical acting scenarios.’

But here’s the thing, Rosebud’s flat-out funny. She’s joke to joke funny. Dynamically clever and, you can feel in her as well a joy in the work and the hours she’s put into it. She’s working the craft in a poised traditional way and giving it her own spin. A dark vibe that you really have to just go with.

ROSEBUD; So, I have one sister who’s a nurse. And, I know I was giving the healthcare heroes shit earlier, but I do want to say this on her behalf. Nobody appreciates nurses as much as they do.

Now, it’s not that what they’re doing isn’t heroic, because it is. It is a heroic thing. They’re heroes. They’ll tell you that too. And they never, ever, shut the fuck up.

Don’t ever ask a nurse how her day went. No, because you’re gonna get a story, and it’s going to ruin yours. I called my sister. Hey, how’s your day? She was like, ‘it was pretty rough.’ Surprise!

I took the bait. I was like, ‘what happened? She goes, ‘I had to pull the plug on my favorite patient.’ ‘Jesus Christ, you’re favorite patient’? ‘What do you do to the ones you don’t like?’

I’ll tell you who Rosebud reminds me of from the time when I was starting in stand-up; Michael Keaton. I know it’s a strange comparison, and some weren’t aware Mike started as a comic but if you watch The Comedy Store doc, he did, and we go into it.

He also had a similar instantly likable stage presence. He had good looks and a sense of intelligence that rather than turning the crowd cold to him, made them comfortable with wherever he wanted to take them.

Also, I don’t know if I read this or someone told me this, but I think Rosebud started as an actress and has a lot of acting chops much like Keaton did, which makes a lot of sense. She’ll probably end up doing a lot of film and T.V. work and you never know if she sticks with stand-up. If it’s only a vehicle to get her into acting and she’ll move on as others have, or she’ll stick with it which can be really tough with the demands of a successful acting career. I know Rosebud claims that she’ll always keep doing stand-up, has compared it to “spending 12 years in medical school just to become a witch doctor”. Which is a good line, but life can sometimes be a sharp stick in your front spokes going downhill.

(*After a short break from the weight of writing too many analo- gies in a row…)

HER GRANDPA

The other reason Rosebud and Keaton kind of remind me of each other, and this may just be me being stupid, which is, as have I said, is a common occurrence, is the fact that her grandfather was James L. Baker the former Secretary of State for Bush sr. and a major inside Washington player for just about everybody. Michael’s father I think, I heard somewhere was also a pretty big deal in the CIA. (Either that or he owned Wayne Enterprises and was gunned down in an alley. It was one or the other. You see how they muddy up the truth, these people?)

The thing with Rosebud’s grandfather being James Baker is true though. For sure.

If you’ve ever seen her in a men’s three-piece suit and a tie and her hair cut really short and wavy, greased and slicked back, and she was leaning against a window that looked like something in the Oval Office you’d go, ‘Damn. She is his granddaughter. Damn, that’s spooky, the resemblance.’

If you want to get into her stand-up though, watch ‘Whiskey Fists’. It’s a Comedy Central special, that I love. She has a lot of other good stuff up on Youtube and around but start with that special. It’s well done, well shot, lit, directed and the material is excellent.

WHISKEY FISTS

ROSEBUD; So I recently went through a breakup. I’m killing it. Battling a 1,000. It’s my year. So let’s see, my cat died, my dog died, my boyfriend left, and oh, I started fucking a DJ which is somehow worse than all three of those things.

Like, I’m about to make a lot of mistakes. Forget about fucking a guy with a neck tattoo. I’m about to get one.

It’s fun though. It’s fun to be crazy. I’m being such a whore. It’s fantastic.

Truly, I’m so empty. If a man came inside of me right now, he could hear the echo.

I’ve been through too much. Like, I’ve just gotten to that point in my life where it’s like yeah, I’m not gonna, I don’t know. I’m not going to pretend to gag on your dick. It’s not like I haven’t been, swallowing bigger disappointments since the day I was born. I’m 33. I’ve outlived, Jesus. I’m not going to eat your ass. ..Unless it tastes like a book deal. We can maybe work that out because that’s on my vision board.

But this is why I want to get married.

I was desperate to get married. Oh my God, to my last boyfriend? So bad. It was like, I didn’t want to meet a new person. I didn’t ever want to date again, you know?

I just was jerking him off all the time. Like I was banging on a vending machine. It was aggressive. That’s probably why I’m not married. To be honest I probably should have just blown him more. At least that’s what my grandma said. She’s a huge whore, my Grandma.

Just kidding. She’s dead.

 

Check out here website. See her on tour.

https://www.rosebudbaker.com/

Rosebud Instagram

https://www.instagram.com/rosebudbaker/

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BUMPING MICS

I know we talk up a lot of acts and specials here. A lot of that is because if we don’t think someone’s great we don’t write about them. I don’t bring up mediocrity here. My mission for this blog is to highlight, spotlight, praise and raise up great stand-up comedy of yesterday, today and maybe even tomorrow. That being said, my personal favorite stand-up comedy act right now, my number one best thing to make me laugh hard and be happy is Bumping Mics.

BUMPING MICS

Jeff Ross and Dave Attell are both amazing right now on their own. They’ve each matured in pretty amazing ways and have become a pair of quite unique legends in this business. So much in fact that I don’t know how many dates they have going forward as Bumping Mics but I do have to say there is a magical symbiotic combination that is formed between the two of them that is so much different than the parts, that I just adore.

COMEDY TEAMS

Years ago there were so many comedy teams. Back in the Vaudeville days so many, of course in the movies, Laurel and Hardy and then in TV Abbott and Costello, then the Martin and Lewis Days, and the Smothers Brothers days, when I was a kid my favorite record was TIM and TOM, Tim Reid and Tom Dressen’s album and Cheech and Chong of course. When I got started at the store Roger and Roger and Samuels and Cohen and Rick and Ruby were hot. The Mooney Twins were around for awhile, but sadly none of them really stuck it out and made a major mark. The Sklar brothers are on the scene now and are doing really well and are damn funny I might add, so we’ll see how they do.

A JAZZ ELEMENT

Bumping Mics is in a class of it’s own though. Bumping Mics came together more or less as an idea of Jeff Ross’s. Just a notion he had to have a good time with his best bud. Anyone that is lucky enough to know Jeff knows how much his friends mean to him and he is crazy about Dave Attell. I believe that’s half of what makes Bumping Mic so great. (I actually think there’s a great movie with these two guys walking / traveling around insulting themselves and everyone else they see. Almost a throwback to an old W.C. Fields film) I also get a jazz vibe to the show. They don’t plan much. They just let it take it’s own course and cadence. Free float. It’s gut funny and raucous and you so much feel the connection there.

Last year my family had a loss and I was in a bad place and after the funeral and a lot of tough travel I just needed to laugh. I love to laugh. I flew with Jeff to a Bumping Mic gig in Chicago at a beautiful theatre out in the suburbs because I knew I was going to laugh my ass off. I really did too. It changed my whole energy.

If you ever get a chance to see these guys live do it.

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MR. LENO!

So much to say about Jay. I’ve known him so many years. I think so much of him on so many levels. When I came to Los Angeles in 1977 Jay was the top level of the new comics. I think he had done a couple shots on Merv Griffin. He was great though. He took me under his wing. He was so damn good to me. I hung out with him every night and every day for years and years. He called my folks when I was just settling in at 18 years old and helped them not worry about me out here, and a couple years later when I was sick late one night with what we found out was an ulcer he took me to the hospital in the late hours and stayed with me until five o’clock that day.

A SPECIAL GUY

His parents raised Jay right, I’ve always said that. Is he driven? Yes, did he rub some of the comics the wrong way on the way up the talk show game in a super competitive arena? Maybe, but he was someone that paid his dues and wanted his seat at the table and was willing to fight for it and deserve it, and when others wanted him to lay down and play dead he didn’t always want to do that. Too bad. A lot of these guys don’t always know the real stories, or they forget them. I was there though. I remember a lot things other seem to forget.

EBONY GENIUS

When a group of the class a few years ahead of me at the Comedy Store were just taking on wind, Jimmy Walker was starring in Good Times, and he was the ‘guy’. He was the Joe Rogan of his day. The center of the pack. He hired David Letterman and Jay, and a lot of others, and even Byron Allen to write jokes for him, and before long Jimmy’s managers, a married couple, Jerry and Helen Kushnick, started a company with Jimmy called ‘Ebony Genius’. Jay was their second or so client and I think David Letterman was signed up pretty soon after.

A couple years later as Dave started to show his promise, Rollins, Joffee, Morra, and Brezner, who handled Woody Allen, Billy Crystal, Robin Williams and others wanted to take Dave on and Dave very much wanted to go with them under the guidance of Buddy Morra, a top manager there. He went to the Kushners and JImmy Walker and asked to be let out of his contract which he had he worked under for quite some time by then. A contract that was more than a little onerous and something that only a very, very, green artists would agree to.  The managers held firm and wouldn’t let Dave out unless he agreed to pay them a large part of all of his future earnings. Jay got into it with the Kushners who went on to become his managers until they each passed away years later and Jimmy and, finally got them all to release Dave from his contract. (Dave may have had to settle with them somehow monetarily. I don’t remember,) I do remember that Jay came down hard on them all in Dave’s defense. I was there at this house once and heard his side of the phone call in fact.

Years later I brought it up to Dave who claimed he had no memory of it, which I believe. It didn’t seem like the kind of thing he had a large hand in either way. He was arms length on a lot of that type of thing, but it was typical of Jay. He was always looking out for his friends. In fact the biggest falling out he and I had, and it was a big one, was the Comedy Store strike. I let him down. It was a mistake. I sided with Mitzi Shore after a long time on the sidelines when I felt it was just a bloodletting and a lot of comics, not Jay, and not Letterman or Tom Dreesen or Elayne Boosler, but acts that never got spots from her just wanted to destroy her and her business and I didn’t want any part of that.

The loss of my friendship with Jay for a long time was one of the hardest hits I ever took in comedy. Over the years we’ve become friends again and he had me back on his show when he was the host of The Tonight Show and I loved being on it with him talking about and hawking my movies. He always asked about my dad who had become friends with years earlier when he would play Detroit. My dad was also a car guy and he would lend Jay an old car he had restored to drive around for his shows in Detroit. You got to feel pretty comfortable lending a nice car to Jay Leno.

He was always so good with cars. I remember driving around LA in his old cars with him. Back when he only had three or so. Which by the way. Who had three or so cars? All of his cars were Mr. Mister Buick, Mr. Mercedes. Mr. Chevrolet, whatever.

TAKEN SOME HITS

He’s taken some hits lately but the way he’s gone through them are so ‘Leno.’ No complaining. No whining. Not even a lot of pain pills. Just shucking it off. Skin graffs? Broken bones? ‘Yeah, other people have it worse. I got some shit to do. I’m gonna get back to work.’ It would be a character in a sci-fi film if it wasn’t a real guy. But he’s just Jay. He’s Leno through and through. Just a well written character. Still doing his act, still tinkering with his car, married to Mavis, hasn’t changed one bit, still has the same phone number from four hundred years ago.

CRAZY LENO-ISM’S

Any comic that knows Jay knows he’s set in his ways with his theories, traditions, and beliefs on stand-up. Most of the time he’s right. He always told me a few things I never listened to him about and he was dead right on. He would harp on me not to let go of my act. ‘Never give up your act, Binder. Keep doing your act no matter what.’ He was spot on.  Also he was hard on me. ‘Work on the jokes. Work on your act. You get up there and fuck around, talk to the audience, do stupid shit with the curtain. Work on an act. Work on it.’ And I didn’t. That’s why I let it go. It didn’t grow. It didn’t get better. It was just okay. I wasn’t proud of it. It wasn’t getting great. He was right about so much. I’m doing it again, and I’m working my ass off on it, doing exactly what he used to harp on me about years ago, and now I understand exactly what he was saying. It all seems so clear now.

He was such a good friend. He still is. There still is so much to learn from a guy like a Jay Leno. He’s loyal. He’s real. He doesn’t turn on his friends. People in this business turn on you so quick. Guys like Jay are rare.

Like I say, his parents raised him right.

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ANDREW SANTINO; CHEESEBURGER

ANOTHER LEVEL

Andrew Santino is a pal of mine but he’s also one of my favorite stand-ups. He’s a monster. I’ve never once seen a show he’s done that’s the same, or not a side splitter. His new Netflix special, Cheeseburger, is really one of the best specials I’ve seen in a long time. I put it up on the shelf with last years ‘Jew’ by Ari Shaffir, and Dane Cook’s ‘Above it all’ two great recent specials that hit hard with laughs and took each of the comics to another level.

CHICAGO BOY

I have to say, Santino is just a midwestern fucker through and through. No matter how long he’s in Los Angeles the guy just smells like Chicago and the midwest. That’s why I think every comedian I’ve ever met that knows him loves the guy. He’s just a Chicago mook who’s talented as hell, has paid his dues, loves what he’s doing and has gotten really good at it. Cheeseburger is the by-product. Sit down, call up Netflix, hit the remote, watch it, have some big laughs. It’s that simple. You’re in good hands.

THE PODCASTS

He also has two fantastic podcasts that happen to be two of my favorite podcasts. No shit. When I take road trips I listen to both of these religiously.

WHISKEY GINGER

BAD FRIENDS

The one he does alone is ‘Whiskey Ginger’ which I love mainly because he’s a damn good interviewer, he gets his guests really relaxed and they get loose and talk real. You get to know his guest in a very cool way and learn a lot of interesting shit you normally would never know.

The other is ‘Bad Friends’, which he does with my pal Bobby Lee which is hysterical. It’s a train wreck waiting happen an hour or so at a time and it’s fucking fantastic. It could also be called ‘retards in a bottle’ because these two come off like two complete morons sometime and they’re so funny together. Some of the places they go together is just so silly, and so weird sometimes, but you also always feels the love and the deep care for the friendship. It’s really special.  Check them both out. They’re really awesome.

Also, by the way, they’re taking Bad Friends on the road this spring so go out and see them both live. Get info on that here;

https://www.stubhub.com/bad-friends-podcast-andrew-santino-bobby-lee-tickets/performer/150042708/?AffiliateID=49&PCID=PSUSBINARTBADF7C99F02F493&AdID=81295257832901&gclid=fc49145cab2c1e834f56778df81d1240%2cfc49145cab2c1e834f56778df81d1240&ps_p=1%2c1&ps_ag=1300722691974005%2c1300722691974005&ps_tg=kwd-81295408873261%3aloc-190%2ckwd-81295408873261%3aloc-190&ps_bua=1&ps=&ps=&ps_c=470093848&ps_ad=81295257832901&ps_n=o&ps_d=c&gcid=C12289X021&keyword=1300722691974005kwd-81295408873261%3aloc-190_c&creative=&utm_kxconfid=s2rshsbmv&utm_campaign=470093848&kwt=nb&mt=e&kw=Bad+Friends+Podcast&ap=&ploc=79627&iloc=&utm_source=bing&utm_medium=paid-search&utm_sub_medium=prospecting&utm_term=nb&utm_content=default&gclsrc=3p.ds&msclkid=fc49145cab2c1e834f56778df81d1240

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PROFILE; RICH HALL

I had a damn good time working with Rich Hall this week in Las Vegas at the Tropicana Hotel at The Laugh Factory. Rich makes me laugh, hard. He’s so damn likeable onstage, which is not easy to do when you’re a world class curmudgeon. He’s such a smart writer and storyteller and works the crowd in a way that very few others can. Very few others can get away with.

MULTI- TALENTED

It’s an overused word these days maybe, but that’s because the best artists have to wear a lot of hats and Rich wears a lot of hats. (in fact, oddly, he wears more hats than any other guy with a full head of hair I know does, shrug) but he writes, performs, his shows, plays, he’s done films, he’s a damn fine singer songwriter, he can deliver baby calves and sheet metal skyscrapers. I may have made up the last couple of those but the guy wears hats, trust me. He’s truly multi-talented.

SNIGLETS

His first shot to fame was with a little known verbiage he created called ‘Sniglets’ on HBO’s ‘Not Necessarily the News’. ‘Sniglets’ were names for things that didn’t have them yet. That needed names.

When your dog leaves slime on the window; PUPKUS.

Anticiparcellate: Waiting until the mailman is several houses down the street before picking up the mail, so as not to appear too anxious.

Strumble: That invisible object you always pretend made you trip, when it was actually your own stupid clumsiness.

Arachnidiot: A person, who, having wandered into an “invisible” spider web, begins gyrating and flailing about wildly.

Bozone: The substance surrounding stupid people that stops bright ideas from penetrating. The bozone layer, unfortunately, shows little sign of breaking down in the near future.

Brakenoia: The act or urge of stepping on the brake on the passenger side of the car

Carperpetuation: The act, when vacuuming, of running over a string at least a dozen times, reaching over and picking it up, examining it, then putting it back down to give the vacuum one more chance.

Dopeler effect:The tendency of stupid ideas to seem smarter when they come at you rapidly.

Ellacelleration: The mistaken belief that repeatedly pressing the elevator button will make it go faster

Essoasso: any person who drives through a corner gas station to avoid stopping at the intersection.

Exaspirin: Any bottle of pain reliever with an impossible-to-remove cotton wad at the top.

Execuglide: To propel oneself about an office without getting up from the chair.

Expresshole: A person who goes through the grocery store’s 12-item express lane with 22 items.

Fictate: To inform a television or screen character of impending danger under the assumption they can hear you.

FRIDAYS, SNL, ETC

He went on to be a regular on the variety show, Fridays which was an ABC version of SNL for a few years.

Then he did a season on SNL. This is one of my favorite sketches from that year.

Here’s a good piece of stand-up he did on the show, which by the way, was rare for a cast member to do.

THE UK

Years later Rich went over to the UK and did really well. He’s a regular at the Edinburgh festival and on British ‘telly’ for ages now. Not long ago I was there and we met for dinner and walking through the streets we didn’t get ten feet without folks wanting to say hello and take a photo with him or ask what he was up to. He tours there regularly and has a place in, I believe, Shepherds Bush.

TOM CRUISE

This is one my favorite of his stand-up bits.

THE EX-PAT

I love this piece as well. He’s great over there playing the American trying to help them understand us.

I will say if you ever get the chance to see Rich live make a point of it. He puts on a great show. He loves it. He’s a hell of a guitar player as well.

Rich Hall

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